Contacting Image Worlds

Jan 16 — 24, 2026
Field:

Performance

Location:

Grand Luxe Hall, Western Front

Time:

6:00 & 8:00 p.m. (Jan 16 & 23) 1:00, 3:00 & 5:00 p.m. (Jan 17 & 24)

Description:

Contacting Image Worlds was a performance by Nina Davies that took the form of an open rehearsal by the fictional Image Syncers. The performance extended Davies’s exhibition, which centred on a single-channel video narrated through an episode of an invented podcast, What’s Sizzlin’. In the episode, investigative journalist Teagan Carroll recounts her first encounter with an Image Syncer community at the Trio Comms Hall. The performance restaged this moment, with Torien Cafferata, Kevyn Hu, Rebecca Margolick, and Simran Sachar performing as a group of Image Syncers rehearsing choreography that mimicked AI-generated renderings of human movement.

To begin, Davies’s film screened outside the Grand Luxe Hall, offering audiences the narrative context to step into the world of the Image Syncers. Before entering the performance space, audience members were invited to don ceremonial garments: grey hoodies printed with garbled, AI-generated text. These mirrored the performers’ costumes and deepened the sense of immersion into the synthetic worlds the Image Syncers attempted to reach.

Inside the Luxe, the performance was viewed through iPhones mounted on ring lights. The performers’ movements were filmed live and synchronized across the devices, allowing audiences to experience the choreography through the same mediated interfaces the Image Syncers use to commune with AI systems. For those who preferred not to enter the space, a livestream was available to view on monitors adjacent to the Luxe.

Presented with support from the Canada Council for the Arts and the Government of Canada.

Two performers crouch, picking at a pile of prosthetic fingers while two other performers stand behind them. An abstract graphic is projected onto a large screen at the back of the performance space. On the right, three onlookers stand in front of tripods mounted with iPhones and ringlights.
Four performers strike exaggerated poses, viewed from over the shoulder of an audience member. The performers are wearing hoodies with illegible text on their chests. The performers pose as though they are attempting to swim and dive through the air. A projector screen glows royal blue behind them.
Four performers in oversized hoodies raise their arms and move through choreography in a large hall. Three audience members in matching grey hoodies watch from behind ring lights mounted on tripods.
An iPhone on a tripod stands just off center frame. Its screen hosts four performers standing in a line in front of a purple backdrop, holding their arms up to different heights. Out of focus behind the phone are the same performers and backdrop. The performer's actions misalign with what the phone screen presents.
Three performers wearing oversized hoodies walk in place. In the background three audience members stand in front of tripods mounted with ringlights and iPhones. On the ground in front of the performers is a neatly folded hoodie, another performer lays on their side behind it.
Two performers in a balancing act mime skydiving, while two others press themselves to the ground behind them. Projected onto the screen behind the performers is an ai generated video of skydivers in a vast sky.
Two audience members stand out of focus behind tripods mounted with ringlights. Behind one’s right shoulder a tv screen shows performers dressed in hoodies, running through a projected cityscape. An explosion erupts behind them on screen.

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Western Front is a non-profit artist-run centre in Vancouver.

We acknowledge the xʷməθkʷəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and səl̓ílwətaʔɬ (Tsleil-Waututh) Nations as traditional owners of the land upon which Western Front stands.