Backwards Blue

Mar 26, 2026
Field:

Performance

Location:

Grand Luxe Hall, Western Front

Time:

7:30 p.m.

Description:

Karen Ng presented an improvised saxophone and electronics set utilizing a variety of material extracted from her debut LP Backwards Blue (Halocine Trance, 2025). Blending a free improvisational vocabulary with interactive patches, Ng crafted vivid sonic vignettes that examined what emerges between acoustic and electronic sources. For the performance, Ng was joined by local musicians Ruthie Ha, Gordy Li, Liam Murphy, and Tyson Naylor.

Following the performance, Ng was joined in a post-performance conversation with Western Front executive director Susan Gibb.

Karen Ng sits on a chair in the Grand Luxe Hall, playing saxophone beneath a pool of blue light. Viewed from the side, the scene reveals a laptop screen partially obscured by draped translucent fabric on a nearby table. White gallery walls and rows of dark wooden seating frame the performance space.
Karen Ng sits on a chair in the Grand Luxe Hall, addressing the audience while holding a microphone. A blue spotlight illuminates her against the white walls of the space. She wears black clothing, a brown vest, and reading glasses, with a slight smile as she appears to make eye contact with someone in the audience. A saxophone rests in her lap.
Karen Ng plays saxophone with eyes closed, cheeks slightly puffed as she blows into the instrument. A blue spotlight falls across her as she sits in the Grand Luxe Hall, framed by soft white walls. She wears black clothing, a brown vest, and reading glasses. The shot is framed on her upper body and instrument, while the surrounding installation elements fall mostly out of frame.
Musician Tyson Naylor is in the foreground, in focus, wearing all black and playing a synthesizer placed in front of him under a warm yellow spotlight in the Grand Luxe Hall. In the background, slightly out of focus, Karen Ng sits playing saxophone under cooler blue light, wearing black clothing with a brown vest and reading glasses, both performers sharing the same performance space.
Close-up of musician Tyson Naylor at a synthesizer, with the back edge visible in the foreground. He wears a black long sleeve shirt and looks down with a focused expression, one hand pressing the keys while the other adjusts knobs. He is lit by a warm yellow spotlight, with a blue-lit wall in the background.
Karen Ng plays saxophone with eyes closed, cheeks slightly puffed as she blows into the instrument. A blue spotlight falls across her as she sits in the Grand Luxe Hall, framed by soft white walls. She wears black clothing, a brown vest, and reading glasses. The image is a horizontal crop, focusing on her upper body and instrument, while most surrounding installation elements fall out of frame.
Musician Ruthie Ha stands in a dimly lit scene under a soft spotlight, holding a saxophone. They wear cargo pants layered with a floral-patterned shirt over a white T-shirt. While their hands hold the instrument, they look forward into the darkness toward the audience, rather than at the saxophone.
Karen Ng sits behind a table draped with sheer mesh and small lights. Lit by blue light, she looks intently at a computer screen in front of her. She wears a black blouse, brown vest, and reading glasses. Her expression is serious and focused, suggesting concentration on the task displayed on the screen.

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Western Front is a non-profit artist-run centre in Vancouver.

We acknowledge the xʷməθkʷəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and səl̓ílwətaʔɬ (Tsleil-Waututh) Nations as traditional owners of the land upon which Western Front stands.